‘Imagination Realised’ is an exhibition of recent ceramic sculptures created between 2018-2023 by Dia al-Azzawi taking place at Karim Gallery in Amman until 13 August 2023. 

This exhibition at Ashmolean (Gallery 8) explores the development of dafatir over 40 years of artistic production and considers the evolution of Azzawi’s distinctive pictorial language – a fusion of words and images – which would come to dominate much of his work.

In 2004, Azzawi began painting Mission of Destruction, which he later regarded as “the most important work of my history of art”. Over three years, he createdan immense and all-consuming composition (measuring 2.4 by 15 metres), considering it a form of protest against what was being inflicted on his country during the occupation, especially the destruction of museums, libraries and other cultural institutions.

Carnegie Museum of Art, ‘Is it morning for you yet?’. Thousands of years old, Mosul and Aleppo are known for their richness and contributions to the artistic history of the Arab world, creating social and cultural ties due to their geographical location and economic wealth. But this has also meant that these cities, frequently won by the sword, were destroyed and rebuilt many times throughout the ages armies passed through them and fought within them.

Painted in Dia al-Azzawi’s recently established studio in Lebanon, set back from the water in a shady grove just next to Nabu Museum, which was opened in October 2018, these recent paintings exude a fresh vibrancy that may have sprung from the change of scenery— especially the change between London and the tranquil and picturesque northern Lebanese coastal town of Chekka, close to the city of Batroun.

Drawn from the Sharjah based Barjeel Art Foundation’s collection, nearly 90 works, including paintings, drawings, sculptures and prints, by celebrated artists from across the Arab world demonstrate the breadth of abstract art created in the region, over the course of four decades.

Works by Dia al-Azzawi, including Mission of Destruction and Victim’s Portrait, appear in the group exhibition, Theater of Operations: Gulf Wars 1991 – 2011 at MoMA PS1.

Karim Gallery is proud to host Dia al-Azzawi in his first solo exhibition in Jordan, SOMETHING DIFFERENT II.

“The fire and blood blindly pouring over the living and the dead. Outlines of heads, legs, feet, hands—structured silhouettes and broadly outlined faces—overlap, piled on top of each other.”  - Dia Azzawi

Measuring 15 meters long, one large scale-work by Iraqi master, Dia Azzawi, takes a panoramic view of the 2003 invasion of Iraq. Based on images in the media, the artist reflects upon the tragedy faced by the Iraqi people in the aftermath of the bombing campaign and the subsequent collapse of the systems on which their daily lives once relied.

From the destruction of infrastructure and the looting of cultural institutions like the Archaeological Museum, Modern art collection and National Archive, to the savage treatment and abuse of prisoners in Abu Ghraib, Azzawi depicts the physical and psychological fragmentation of human beings undergoing such trauma.

This November Meem Gallery, in association with Emirates Investment Bank, exhibits a monumental work by acclaimed Iraqi artist, Dia Azzawi. My Broken Dream is a truly colossal work, measuring over four meters in height, and ten in length. This monochromatic work dominates and devours both viewer and space, demanding a quiet and contemplative reflection.

Qatar Museums’ Mathaf: Arab Museum of Modern Art and QM Gallery Al Riwaq will present I am the cry, who will give voice to me? Dia Azzawi: A Retrospective (From 1963 until tomorrow), opening on October 16th 2016 in Doha, Qatar. This monumental exhibition comprises of over 350 works by Azzawi, from early modernist works created in his native Baghdad, to contemporary pieces created in his London studio. 

Pushing boundaries, testing limits: this powerful exhibition from the Barjeel Art Foundation, Sharjah, UAE runs the gamut from photography to installation, sculpture to painting, and more. Experience the work of 12 Arab artists who examine how private life is shaped by current political events.

To mark the 25th anniversary of the foundation of the Deichtorhallen Hamburg, an extensive exhibition on the theme of »Picasso in Contemporary Art« will be held from April 1 to July 12, 2015. As the opening presentation in the Deichtorhallen’s intensively renovated and modernized Hall for Contemporary Art, the show is dedicated to the overwhelming spectrum of modern and contemporary artists’ perspectives on Picasso.

Meem Gallery will present a selection of key works by Iraqi modernist Dia Azzawi and Syrian master Marwan. Dia Azzawi is well known as a pioneer of modern Iraqi art and the works selected reflect a particular turning point in the artist’s oeuvre. Selecting unique works from the 1970s, the grouping will show the last works made by Azzawi in Iraq before his permanent move to the UK.

Meem Gallery will present a solo exhibition dedicated to the sculpture and tapestries of Iraqi modern art pioneer, Dia Azzawi. Renowned for his colourfully rendered paintings, in recent years Azzawi has explored the art of sculpture more actively. 

An exhibition that pays homage to the very first artists in residency in Qatar 15 years ago, it includes installations, photographs and videos of what Doha’s inaugural art residences were like, introducing visitors to a part of Qatar’s recent history that has never been shared so extensively before.

The collection of Mathaf: Arab Museum of Modern Art is the largest of modern and contemporary art in the region. Established in the early 1990s, it continues to grow and today contains more than 8,000 objects from the Arab world, Iran, Turkey and other regions historically connected to the Arab Peninsula.

Summary, Part 1 inaugurates the permanent display of Mathaf’s collection in the second-floor galleries with a first selection of 100 artists to give an overview of its breadth. The curatorial concept looks beyond traditional linear histories of art to highlight diverse attitudes, and contextualize intellectual production within multiple modernities.

Meem Gallery is pleased to announce the display of Iraqi artist Dia Azzawi’s work at this year’s Frieze Masters. The exhibition is dedicated to the earlier works of the artist who is regarded as one of the pioneers of modern Arab art. Ten paintings from the period of 1964–1973 have been selected for Meem’s booth, displaying the artist’s creative output in the years when he was still a resident in his birthplace Baghdad, prior to his relocation to London in 1976.

’A fore­runner of Arab moder­nity which he con­tributed to define to a great extent, an eru­dite painter, sculptor, draughtsman and etcher, Dia Al-Azzawi has always firmly asserted the cul­tural her­itage of Arab civ­i­liza­tions and the enrol­ment of its use in con­tem­po­rary art.’ (Pascal Amel, Art Absolument)

Paintings of Landscapes by Artists with a ten­­dency towards abstract art, and who tried to renew this old genre.

Shafic Abboud
Etel Adnan
Dia Al-Azzawi
Abdallah Benanteur
Abdelkader Guermaz
Nadia Saikali

Paintings by six Arab artists, with a ten­dency towards abstract art, and whose approach is to renew the Landscape painting, each in his own way:

Shafic Abboud
Etel Adnan
Dia Al-Azzawi
Abdallah Benanteur
Abdelkader Guermaz
Nadia Saikali

Paintings, draw­ings, sculp­tures, artist books and prints by the Artists:

Claude Aveline
Leonor Fini
Stanislao Lepri
Ossip Zadkine

Dia Al-Azzawi
Abdallah Benanteur
Franck Charlet
Chaouki Choukini
Saul Kaminer
Daniel Knoderer
Manabu Kochi
Boutros Al-Maari
Mario Murua
Nicolas d’Olce
Abderrahmane Ould Mohand
Sadko
Antonio Segui
Sophido
Tony Soulié
Hussein Tai
Vladimir Velickovic
Ossip Zadkine
Eduardo Zamora

A group of recent paint­ings that rep­re­sent the two main aspects of the oeuvre of the great Iraqi artist from London will be exhib­ited: one showing Picasso’s influ­ence in Azzawi’s works inspired by the slaugh­ters and other vio­lent events raging through the Arab World since decades, and the other wit­nessing the impact of Matisse in his more joyful and col­orful works that depict the ‘joie de vivre’ in Nature and in the Oriental Gardens.

This exhibition examines the responses of contemporary artists to the life and work of Pablo Picasso during the forty years since his death, in which his significance for contemporary artists has been controversial. It addresses the question of whether Picasso continues to be important for contemporary art and considers the variety of ways in which artists are engaging his art.

 In 2009 three international photographers with the support of Save the Children entered Gaza. For nearly two weeks the award winning photographers, Anthony Dawton, Jim McFarlane and Giuseppe Aquili photographed children and their families, victims of the Israeli incursion of 27 December 2008. The images are extraordinary. They tell of what happened and the damage done, physically and psychologically but they also tell of a people, particularly the children, bright, intelligent and full of hope. 

French art critics and insti­tu­tions tended to ignore these artists or marginalize them. Yet they pro­duced orig­inal works, they lived and exhib­ited side by side to the great names of Post-War Art, and they are rep­re­sented in inter­na­tional Art Fairs and in both pri­vate and public art col­lec­tions in France and Europe since the 1970s. The Centre Pompidou brings jus­tice to some of these artists in its new exhi­bi­tion Modernites Plurielles.

At this year's Abu Dhabi Art Fair, held in Manarat Al Saadiyat, Meem Gallery will present the second instalment of the Meem Projects exhibition and publication series: Meem Projects 2013. The two-part exhibition explores the works of eleven important modern and contemporary Middle Eastern artists, displaying paintings, sculpture and mixed-media works. The first part of the display, Modern Arab Art, exhibits key works by modern artists Dia Azzawi, Ahmed Cherkaoui, Kadhem Hayder, M'Hamed Issiakhem, Rafik El Kamel, Louay Kayyali, Fateh Moudarres and Shakir Hassan Al Said. The second part, Contemporary Arab Art, showcases commissioned works produced under the title How Do You Sleep At Night? by artists Khaled Hafez, Jeffar Khaldi and Mahmoud Obaidi. 

Summer exhi­bi­tion, with works by seven Arab artists: 

Paintings by Shafic Abboud, Hamed Abdalla, Youssef Abdelké, Dia Al-Azzawi, Abdallah Benanteur, Mahjoub Ben Bella

Sculptures by Chaouki Choukini

Meem Gallery is pleased to present an extensive collection of works, including paintings and mixed-media compositions, by modern and contemporary Iraqi artists. Modern Iraqi Art: A Collection takes viewers through the decades of Iraq's modern and contemporary art production. The exhibition represents the creative output of three generations of artists, starting with the work of modern masters such as Faiq Hassan who, with Jewad Selim, pioneered the country's modern art scene and forged an artistic identity specific to Iraq. Second generation 'pioneer' artists like Dia Azzawi, Shakir Hassan Al Said and Ismail Fattah, who encouraged a pan-Arab focus for art during the late-1960s and 1970s, as well as a more theoretical approach to art-making, also feature in this collection. Completing the display is the work of the 'eighties generation' of artists, including Hanaa Malallah, Halim Karim and Mahmoud Obaidi, who were taught by the previous generation at the Institute and Academy of Fine Arts in Baghdad, and bring with them an aesthetic that is rooted in Iraq's cultural heritage but simultaneously affected by the experience of exile.

At the begin­ning, my area of spe­cial­iza­tion was arche­ology. The human feel­ings pre­sent in Sumerian texts are iden­tical to those of today. Every text is simul­ta­ne­ously of its time and of all times. I found a sup­port for my feel­ings in Arab poetry, which is lin­guis­ti­cally so dense and visu­ally so rich. In the artists’ books, the painter adds a visual dimen­sion to the text’s lit­erary and con­cep­tual dimen­sion. Let us not forget that painted manuscripts rep­re­sent a large part of the cul­tural her­itage passed on by Arab civ­i­liza­tion. Literary texts helped me to elab­o­rate and invent my pic­to­rial sym­bols. In my paint­ings, the bird stands for freedom, trav­el­ling and exile. The horse sym­bol­izes heroism and the mis­sion, Ahmad the Arab from Mahmoud Darwish is the ‘hero’ also found in Sabra and Chatila… he pur­sues me every­where and always. These sym­bols helped me to syn­thetize my plastic visions, a fun­da­mental aspect in my cre­ativity.